Monday, December 13, 2010
General Guidelines for Service of Wines in Respect to Temperatures
Wednesday, December 8, 2010
Why RED is Hot & WHITE is Cool.....?????
Tuesday, October 26, 2010
Enough to Kill...... 2
Enough to Kill.....
Yellow-green blotches (2-10 mm diameter) appear on leaves. Progresses to produce ash-grey to white powdery spores on upper and lower leaf surface. Often confused with downy mildew, which only produces spores on the lower surface of the leaf.
Produces ash-grey to white spores on immature berries and bunch stalks. Diseased berries may become distorted and split, causing them to shrivel or rot.
Wednesday, June 30, 2010
10 Basic Wine Making Equipments
2. Secondary fermenter. During this stage of wine making, air must be kept away from the wine. Jugs with narrow openings are ideal for this. Clear glass jugs are best because they are easily cleaned and you can watch the wine ferment (if your nights are totally lonely). Plastic containers absorb air, so they're no good at this stage. Wooden barrels are the traditional secondary fermenters, but they're difficult to clean and manage, and are best left to the expert wine maker. The size of your primary and secondary fermenters will depend greatly on the amount of wine you plan to make. One gallon is a good size for beginners. It's also the size and amount we use in our recipe section. You'll actually want at least two of these because you transfer it back and forth between containers during racking.
3. An air lock. You'll need something to plug the top of the secondary fermenter. A cap or cork won't do it because they don't allow the carbon dioxide to escape. If the carbon dioxide can't escape, pressure will build and the jug can explode, which is a bit of a problem. The clever little device that allows carbon dioxide to escape but doesn't allow air in is called an air lock. They come in many forms and are made of many materials, but the most common is made of plastic. It looks like a mad scientist's curvy S-shaped test tube stuck into a rubber cork. The cork—referred to as a bung--plugs up the mouth of the jug and the curving tube is filled with sterile water. When pressure builds up inside the jug, the CO2 pushes its way through the tubes, bubbling through the water, escaping without allowing any inside air into the jug.
4. A hydrometer. It's impossible to tell just by looking at a new must how much sugar is in there or at the end, how much has turned into alcohol. The device which helps you measure the amount sugar in your wine is called a hydrometer. It looks like a thermometer, but you put it in the wine (or, more likely, a small sample of the wine). How far it sinks shows the amount of sugar. The more sugar, the higher the hydrometer floats. At the end of the process, when the hydrometer sinks lower, you'll be able to tell how much of the sugar was converted to alcohol and you'll know the exact alcohol content of your wine. Most hyrdrometers come with and are stored in a small cylindrical "sampling tube."
5. Siphon tubing. When you're ready to rack the wine, you'll need some tubing or hose to siphon it off the sediment, from one container to another. About 6 feet of clear plastic tubing is enough.
6. Bottles. You'll probably want something to put your wine in when you're done. Any bottle that can be corked or capped will do, including bottles (and corks) leftover from commercial wine you've had. A gallon of wine will fill about 5 standard wine bottles.
7. Corks or screw caps. corks fit most standard wine bottles.
8. A Corker. The cork is traditionally larger than the bottle itself so to jam it into the bottle requires either a lot of strength or else a special tool called a corker. There are very simple corkers (which also may require a bit of elbow grease) and ore elaborate ones and even electric ones for those who like things quick and easy.
9. Large funnel. A large funnel is helpful when pouring musts from one place to another.
10. Wire brushes. Ever try to clean gooey sediment from the bottom of a five gallon jug with your bare hands? No? Unless you have super powers like that stretchy guy from the Fantastic Four, you'll need some special wire brushes to help clean up. They really help you dig in there and scrub your jugs and clean out your bung.
Monday, April 12, 2010
Friday, February 5, 2010
MADEIRA..........
out Madiera: Today, D’Oliveira and Barbeito represent the finest source for old Madeiras in the world. D’Oliveira dates back to 1820 and since then, it has been owned by the same family. Overtime, the family increased their vineyard holdings through a series of marriages with other wine-producing families. The D’Oliveiras have held onto many of its most famous vintages and in doing so, they have created a unique and irreplaceable stock of old wines. Remarkably, all of these wines were produced by the D’Oliveiras and their ancestors, not purchased from other shippers or growers. There is a definite house style - they have very powerful aromatics, great lushness and viscosity, incredible structure, and a tangy character that is essential to the finest wines of the 18th and 19th centuries. Barbeito was founded just 53 years ago in 1946, however it has the most impressive stock of very old wines in the world. The incredible range of old vintages today is due to the foresight of the company’s owner Mario Barbeito de Vasconcelos. In the 1940s and 1950s, he bought up large quantities of privately owned wine, some of it dating back to the 18th century. These old wines became the foundation for one of the world’s most unique wine libraries. At the time Barbeito acquired these wines, they were virtually all still in cask, a traditional practice in Madeira, where 50 to 100 years or more in wood is mandatory for the very greatest wines. The long, slow oxidative process in cask adds to the wines complexity. And though very costly to the owner, the evaporation in barrel concentrates the flavor and extract. Both D’Oliveira and Barbeito believe that Madieras age best in cask. They keep all of their vintages in wood, and only bottle enough to meet short-term demand. A brief description of the different types of Madeira Sercial: The English name Sercial is used for the Portuguese Cerceal, but the grape used on the island of Madeira is not to be confused with the Cerceal do Dao. Sercial was not grown very much after Phylloxera, but the number of vineyards with Sercial is growing again. They are the vineyards with the highest altitude, situated in Seixal and Ribeira da Janela on the northern coast of the island. Some people say that because of the high level of acidity Sercial is the same grape as the German Riesling, but this is certainly wrong from an ampelographic point of view. The grapes are very compact, about 18cm long, weighing 170grams. This variety ripens late, producing a wine with volatile fruit and good, sometimes burning acidity. The medium-size leaves have a hairy undersurface and are made of three main parts in the middle with one smaller part to each side. The high level of acidity makes Sercial almost undrinkable in its youth. In the 16th century, this wine was called "Esgana Cão" - dog-strangler. To obtain a maximum aroma as a counterpart, Sercial is harvested as the last of the grapes, often as late as the beginning of October. Sercial has to mature for a long time, before it is drinkable. The minimum of twenty years in cask for vintages will just be enough to soften the piercing acidity. Once this wine has found its balance, it makes a perfect aperitif but it can also hold its own very well. On the island, Sercial is often served with soup, nuts, crackers or other snacks. The cocktail "Madeira on the Rocks" is made of 2/3 dry Madeira of a lesser quality and 1/3 Campari. Sercial also goes well after Champagne. A vintage Sercial wine usually has a color of a golden tawny, similar to old German Riesling wines. The nose might display some high volatile acidity. Young Sercials often have a range of fruit aromas with a focus on orange and lemon, but as the wine matures this can shift to a more nutty and turpentine like taste, again similar to old Rieslings. A high level of acidity will be present in most Sercials, which will make this wine a good before-dinner drink. Also I prefer it after a meal to cleanse the palate. Verdelho: Verdelho is also a white grape, the taste being medium dry, tasting between Sercial and Bual. Just like the other Castas Nobres it was very little grown until 1980, when it began being planted again. Verdelho, also known as Gouveio in Portugal, gives a medium dry wine. The grape is also cultivated in Australia. There also is a red variety of Verdelho, the Verdelho Tinto. Verdelho is grown on the south side of the island from Funchal west to Estreito de Câmara de Lobos. On the north side it is grown in the more sheltering pergola style in Ribeira de Janela and São Vicente. The grapes are larger than Sercial, about 20cm long. They are good table grapes and give a mild wine with slightly nutty flavor, becoming drier as it matures. The vine is very strong and relatively high and difficult to cultivate. The leaves are of medium size with small hairs on both surfaces. Verdelho is the main ingredient of a medium dry light wine called "Rainwater" which is very popular in the United States. The cheaper qualities are made from Tinta Negra Mole. The legend around the name tells that the contents of a shipment to Savannah, Georgia, were diluted when a heavy rain hit the casks still standing on the beach. The recipient of the shipment liked the lighter taste and ordered more. Verdelho is also used to make the Atlantis White, one of the two official table wines made on the island. The color of Verdelho is about the same of Sercial, sometimes a little darker. It does not have the piercing acidity of Sercial but displays a more rounded taste. The nose has dried fruits and honey that are also evident on the palate and sometimes there are also a little coffee and chocolate. Bual: Bual is the English name for the Portuguese Boal. Bual is a white variety producing a medium sweet wine. The name was used for a whole group of grapes but today is usually connected with the Bual de Madeira also known as Boal Cachudo. Grown on the north side around São Vicente and on the south side at Campanário and Câmara de Lobos, it took over for Malmsey in many vineyards. The grapes are large, heavy and are good table grapes because of their sweet aroma. The medium sized vine has three-part leaves like the Sercial. Bual is a good start for those having their first experience with Madeira wine. It is medium sweet but not to sticky, very aromatic with some acidity balancing the sweetness. Do not let yourself be fooled by the color which tends to be the darkest of all Madeira wines. The nose has richness and aromas of barley sugar and the palate often has some additional caramel and coffee aromas as well as dried fruits like orange peel or apricot. Malmsey: Malmsey is the most famous Madeira wine for sure. The English name Malmsey is used for the white Malvasia grape which has its roots in the Greek islands. Malvasia, or more precise, Malvasia Candida spread throughout Europe during the Middle Ages and went down in numbers in the Baroque period. However, around the world sweet and fortified wines are still made from all sorts of different members of the Malvasia family, like the white Malvasia Bianchi di Chianti, Malvasia Toscana, Malvasia Istriana, Malvasia delle Lipari, Malvasia Sarda, Malvasia di Schierano, Malvasia Candida, Malvasia Rei, Malvasia Bianca and the greek Malvazia as well as from the red Malvasia Nera and Malvasia di Carsorzo. The large grapes with small elliptic berries weigh up to 400 grams and are grown on high and solid vines. The grapes are liked for their sweet aroma as table grapes. The variety ripens fast but can stay on the vine for a long time as they do not easily rot. The vineyards are the lowest in altitude, about 250 m above sea level. The grapes are grown in São Jorge and Santana on the north coast and in Câmara de Lobos and Estreito de Câmara de Lobos on the south coast. The leaves are made of five parts equal in size. There are many stories around Malmsey which was exported as early as the 15th century. On the European continent the widely grown Malvasia of the Middle Ages had already found many friends like Martin Luther and minnesinger Oswald von Wolkenstein. In times when sugar was not known, this golden and sweet liquid sun fascinated the people. When later the more robust Madeira Malmsey entered the market, it was a complete success. It combined sweetness and aroma with good keeping and easy handling like no other wine. In 1478 the Duke of Clarence preferred death by drowning himself in a cask of Malmsey to the death by sword. In the works of William Shakespeare's you can find many hints to Malmsey. In "Henry IV" Poins accuses the Prince of Wales to have sold his soul for a glass of Malmsey and a chicken leg. One of John Falstaff’s drinking friends is named after his Malmsey-reddened nose. Even Napoleon, stopping over on the island on his way into exile on St. Helena in 1815, took some Malmsey to brighten his days. Before, on his military operations, he had also carried some Malmsey with him. In the 19th century Malmsey really came en vogue. There was the "Morning Malmsey" to begin the day and many other rituals revolving around the golden wine. Even today, long after Oidium and Phylloxera, a good Malmsey crowns a perfect meal like no other wine. It also makes a good vino da meditazione. The combination with coffee, cookies or nuts is classical, as is the taste together with a very good bitter chocolate. But also on its own, Malmsey itself is an excellent desert. António Batalha Reis said: An elixir to be drunken by the gods, no drink for mere mortals! Even Goethe used to sip on his Malmsey, sitting in the cellar of the famous -Elephant" hotel in Weimar. An old Malmsey vintage will just be a little lighter in color than Bual. The nose is all toffee, vanilla and sometimes even beef bouillon. The palate has toffee and vanilla as well, added by marmalade sweetness and -some say- a distinctive taste of cough syrup. Terrantez: This white, medium dry, sometimes rather sweet variety is hardly grown anymore. You can sometimes still find it in old vintages or soleras. Unfortunately the total harvest of Terrantez does not even fill a complete cask of wine, usually containing a little above 500 liters. Efforts are underway to replant this grape, but since it is difficult to work with and yields rather low quantities, the growers are not very enthusiastic about replanting it. The Terrantez vintage wines mainly come in two different styles. One style is on the rich and rather sweet side, as used by the Madeira Wine Company. The other style is very dry, still rich though, a little like a rich Sercial, but without the strong lemon flavor. A characteristic of Terrantez is a certain bitterness at the end of the finish that reminds me of burnt coffee and ashes. A Portuguese proverb says "As uvas de Terrantez, não as comas nem as dês, para vinho Deus as fez." meaning: The grapes of Terrantez are not for eating, nor to give them away, but for wine god created them.The Terrantez grape is my favorite variety for Madeira wine, because with this particular grape, Madeira wine seems to be at its best. Examples like the Acciaioly 1802 or the Blandy 1846 show the enormous potential of the grape, the caleidoscope of aromas and the ability to gain in complexity over the centuries. Bastardo: This variety is still widely grown in Portugal and is identically with the French Trousseau. It is also a grape in the Douro valley used for Port. It is the only red grape among the Castas Nobres and nowadays you can only find it in old vintages and soleras. To my knowledge only miniscule amounts are grown these days. But some glorious old vintages do exist and of course there is the vintage of 1927 which produced excellent Bastardo wines. Even though Bastardo is a sweet grape, the style of the vintage wines is often on the dry side. It also has some bitterness at the end of the finish. Moscatel: Moscatel is the white wine of the Moscatel of Alexandria grape, one of the lower quality varieties of the Muscat/Moscatel family, counted among the castas boas. It is apparently no longer grown in significant quantities, but you can still find it in some old vintages. Pereira D´Oliveira has a few different Moscatel vintages and some vintages of other producers are still around at auctions from time to time. Listrão: Listrão is one of the authorized varieties for Madeira wine and is cultivated in small quantities on the neighboring island of Porto Santo. Barros e Sousa makes a five year old fruity wine of Listrão. Old Wine: This does not name a grape variety but a vintage that does not consist of one single grape variety as the rules of the IVM say. This happens, when a year was good enough to declare it as a vintage but the yields of the different varieties were not enough to put them in cask and mature them at an affordable cost. In this case, as an example Bual and Malmsey will be matured together as "Old Wine" since the regulations don't know a Bual-Malmsey vintage. Sometimes Tinta might be added as well. Blends of different grape varieties are not uncommon anymore. The Alvada wine of the Madeira Wine Company is a blend of Malmsey and Boal. The Barbeito company has also made some wonderful blended wines from different grape varieties. Tinta Negra Mole: Tinta is a red grape and is very versatile. Often called the working horse amongst the different varieties, it is one of the reasons for the decline of Madeira wine in the 19th and 20th century. It is counted among the Castas Boas, the good varieties. Tinta or TNM is grown around Funchal, São Vicente and Câmara de Lobos and is the most widely grown grape on the island. About 3/4 of the total production is Tinta. Depending on the height of the vineyard and the processing of the wine it can imitate the other varieties to a great degree. This makes Tinta so tempting for many producers, but the class of the other traditional varieties is said to be not fully reached by Tinta. The grape is a cross of Pinot Noir and Grenache. Some vineyards with Tinta are cleared today and replanted with other traditional vines, but it is still widely used, especially for the three year old blends. However Tinta is not of low quality, as many good three, five and even some ten year old blends show. According to many wine professionals it simply does not quite reach the excellent quality of the other grapes. My personal belief is that it has great potential as long as it is well cared for. Some of the modern colheitas and harvest wines are made entirely of Tinta grapes and they show the great abilities of this grape very well. Also it has been added to vintage Madeira wines throughout the 19th and 20th century in small amounts up to 5 percent, since the wine made from TNM offered a certain neutrality that made it easy to add, without changing the original wines nose and palate. Since it is easy to grow, more wine of the medium qualities like older blends and the non-frasqueira vintage wines will be made from Tinta. I think we are going to be very surprised in the future about how good Tinta can really be. The vine is robust with durable wood, medium size leaves and small black berries. The must is red at first but the estufagem procedure clears the color so that it acquires a green-white shine. Besides being used for blends, selected Tinta grapes from Campanário are also used for the Atlantis Rosé. Some more to come.......Monday, February 1, 2010
Bubbles......
The Blessed Bubbles from Champagne...
An initial burst of effervescence occurs when the champagne contacts the dry glass on pouring. These bubbles may form on imperfections in the glass that facilitate nucleation. However, after the initial rush, these naturally occurring imperfections are typically too small to consistently act as nucleation points as the surface tension of the liquid smooths out these minute irregularities.
"Contrary to a generally accepted idea, nucleation sites are not located on irregularities of the glass itself. The length-scale of glass and crystal irregularities is far below the critical radius of curvature required for the non-classical heterogeneous nucleation."
The nucleation sites that act as a source for the ongoing effervescence are not natural imperfections in the glass, but actually occur either:
where the glass has been etched by the manufacturer or the customer. This etching is typically done with acid, a laser, or a glass etching tool from a craft shop to provide nucleation sites for continuous bubble formation (note that not all glasses are etched in this way); or, to a lesser extent, ...
...On cellulose fibres left over from the wiping/drying process as mentioned by Gérard Liger-Belair, Richard Marchal, and Philippe Jeandel.
It is widely accepted that the smaller the bubbles the better the Champagne.
Dom Perignon was originally charged by his superiors at the Abbey of Hautvillers to get rid of the bubbles since the pressure in the bottles caused many of them to burst in the cellar. As sparkling wine production increased in the early 1700s, cellar workers would have to wear heavy iron mask that resembled a baseball catcher's mask to prevent injury from spontaneously bursting bottles. The disturbance caused by one bottle's disintegration could cause a chain reaction, with it being routine for cellars to lose 20-90% of their bottles to instability. The mysterious circumstance surrounding the then unknown process of fermentation and carbonic gas caused some critics to call the sparkling creations
"The D..xxx.xxxx's.Wines"
( Devil's Wine....!!!!!)
Wanna something more interesting...... wait..!!!!
Friday, January 29, 2010
Styles of Champagne
Ruinart and Tattinger Comtes de Champagane.
Terms describing the amount of sugar in champagnes
Extra brut-None
Bone dry-Brut zero
These rare styles are becoming popular
Nature
Brut- up to 1 %
Very dry- Extra sec- Extra dry- 1 – 2 % -Dry to medium dry/Sec
2 – 4 %- Medium sweet/Demi-sec
4 – 6 %- Sweet/Demi-doux
6 – 8 %- Sweeter/Doux
Luscious-8 % upwards
Vintage champagne: This wine is made from grapes of single good year. The year will always appear on the label. These wins are well matured before being released for sale.
Non-vintage champagne: This is a blend of wines from different years. The finest will have some vintage quality wine in the blend
Pink Champagne: May be of vintage or non-vintage character. Classically made by leaving the black grape skins with the juice until it becomes pink in color. It can also be made by adding red wine, such as Bouzy, to white wine, before botling.
Cremant: This is style of champagne which is semi-sparkling – having about 3½ atmospheres of pressure. It sometimes has a village name attached, for example Crement de
Cramant
The Small Print of The Label:
Besides the more obvious descriptive information, the label will show in small letters at the bottom the type pf producer, followed by a matriculation number which is coded to each wine-maker.
NM (Negicient-Manipulant): The term means merchant-handler and is associated with the great champagne houses who buy grapes from other sources besides their own.
RM (Recoltant-Manipulant): This harvest-handler makes their own wine from their own grapes and sells the product usually under their own name.
CM (Cooperative-Manipulant): The co-operative handler makes the
wine from grapes or base wine obtained from all kinds of sources.
MA(Marque Auxilaire): A brand name which can be associated with the producer who sells their wine under second label, either to facilitate a purchaser’s requirement or to distinguish the wine from their own main brand.
Sometimes the letters RD appear on the label. They mean recemment degorge - recently disgorged. Those wines have been left upside down (sur pointes) in their bottles to mature, in correct with the yeasts deposits, for many years. This produces a fine, beautifully balanced wine, often of deluxe quality. They are usually released for sale after eight to ten years, sometimes longer. They are disgorged just prior to selling in order to maintain their vigorous brilliance.
Something more to come..........
Friday, January 22, 2010
This is how Queen rules our Hearts.......
Méthode Champenoise is the traditional method by which Champagne (and some sparkling wine) is produced. After primary fermentation and bottling, a second alcoholic fermentation occurs in the bottle. This second fermentation is induced by adding several grams of yeast (usually Saccharomyces cerevisiae although each brand has its own secret recipe) and several grams of rock sugar. According to the Appellation d'Origine Contrôlée a minimum of 1.5 years is required to completely develop all the flavour. For years where the harvest is exceptional, a millesimé is declared. This means that the champagne will be very good and has to mature for at least 3 years. At this time the champagne bottle is capped with a crown cap. The bottle is then riddled, so that the lees settles in the neck of the bottle. The neck is then frozen, and the cap removed. The pressure in the bottle forces out the lees, and the bottle is quickly corked to maintain the carbon dioxide in solution.
The Vintage:
The grapes are hand-picked in September – mechanical harvesting is forbidden as might mangle the black grapes and cause discoloration of the juice. Only grapes prime condition are gathered. This selectivity, so important for quality, is called epluchage. The premier producers use only the juice from the fist pressing, known vin de cuvee, to make their champagne. A subsequent pressing – premier taille – which gives slightly darker juice, is often sold to co-operatives to make their champagne or sold to concerns who specialize in making BOB champagne. In 1992 the authorities abolished the use of the deuxieme taille – thin pressing of the grapes – to be used for making champagne. This usually fermented and distilled into local brandy – Marc de Champagne.
Fermentation:
When the pressure juice emerges it is allowed to settle for about 12 hours, so that impurities and solid matter descend to the bottom as the vat. Fermentation follows in stainless steel vats at a temperature of 20oC (68oF). The resulting dry white wine will have an alcoholic strength of 11%. The wine is rested until the following spring when cuvee or blend is made. Ones the blend agreed by the principles of champagne house, the still wine is pumped into large vat. A controlled proportion of liqueur de tirage – mix of old champagne, sugar and yeast – is added. The wine is immediately bottled and crown caps are attached.
Methode Champenoise:
A second fermentation, which can last up to three months, takes place within each bottle and as the carbon dioxide is unable to escape chemically bonded in the wine. This slow process, known as presse de mousse (capturing the forth) produces a continuous stream of minute bubbles – the smaller and more intense they are the better. It also raises the alcohol content from 11% to 12% and the internal pressure to a peak of about six atmosphere (one atmosphere = 15 pounds per square inch). The bottles lie horizontally, piled high, resting on wooden slat dividers – sur lattes.
The wine is now powerfully effervescent but it is not clear, as an opaque deposit of dead yeast, tannin and other matter has settled along the inside of the bottle.
inverted V shape. The holes can accommodate the bottles (necks inwards) in any position from the horizontal to the vertical. The remueur (the removal person) manipulates the bottles, turning oscillation and tilting each one gradually to encourage the sediment into the neck of the bottle. At the end of this skilful but labour-intensive operation, which takes up to three months, the bottles will be almost vertical and the sediment resting on the cap. Many firms have now replaced their remueurs with mechanical, computerized gyropalettes which can do the some job equally well in one week. The bottles may be rested –upside down (the neck of one in the punt of another) for some time. The minimum ageing for non-vintage and vintage champagne is one year and three years respectively. However, the maturing period is more likely to be three years from non-vintage and five years for vintage quality.
Champagne producers:
There are over 100 champagne houses and 15,000 smaller vignerons (vine-growing producers) operating in Champagne. These companies manage some 32,000 hectares of vineyards in the region, and employ over 10,000 people. Annual sales by all producers total over 300 million bottles per year, equating to roughly €4.3 billion of revenue. Roughly two-thirds of these sales are made by the large champagne houses and their grandes marques (major brands). 58% of total production is sold within France, with the remaining 42% being exported around the world – primarily to the UK, the U.S., and Germany.
At any one time, champagne producers collectively hold a stock of about 1 billion bottles which are being matured, equating to more than three years of sales volume.
The type of champagne producer can be identified from the abbreviations followed by the official number on the bottle:
Degorgement a la Glace:
When required for sale the bottles, still upside down, are passed along an automated line and necks are immersed in a freezing liquid of brine for seven minutes. The sediment is frozen into a pellet of ice which is removed by the process of degorement (disgorging). The degorgeur (the discharger) removes the temporary crown cap and the pressure of carbon dioxide within the bottle expels the pellet of ice. What is left behind is brilliantly clear champagne with an internal pressure of about five to six atmosphere. The little champagne lost by discharge is replaced by a dosage or solution of cane sugar and older champagne called liquor d’ expedition. The amount of sugar in the dosage will determine the style and relative sweetness of champagne. This will be indicated on the label.
The bottles are now sealed with best-quality corks from Portugal or Spain and wire cages are affixed to hold the corks in place. They may get a little more ageing before being dressed - neck foil and label – for sale.
.......contd.....
e grapes, and the time that wine must remain on its lees while after bottling. It can also limit the release of Champagne into the market in order to maintain prices. Only if a wine meets all these requirements may the name Champagne be placed on the bottle. The rules that have been agreed upon by the CIVC are then presented to the INAO for final approval.
Soviet Champagne:
Sovetskoye Shampanskoye (Советское Шампанское, Soviet Champagne') is a generic brand of sparkling wine produced in the Soviet Union and successor states.
After the USSR was dismantled, the champagne ceased production for a time, until private corporations in Russia and Belarus purchased the rights to use "Soviet Champagne" as a brand name and began to manufacture once again. "Soviet Champagne" is still being produced in Russia and Belarus today, using the original, generic title.
Sovetskoye Shampanskoye is now available in Britain under the Sparkling 1917 brand. It is produced in Belarus at the Minsk sparkling wine factory, Minskaya Zavodvin. Sparkling 1917 is imported by Iron Wolf Ltd who state the product it is premium sparkling wine with all the qualities of fine champagne.
To be continued in the Honour of Her Highness........Tuesday, January 19, 2010
To Her Highness The BUBBLY QUEEN.....
nobility and royalty. Through advertising and packaging they persuaded the world to turn to champagne for festivities and rites de passage and to enjoy it as a luxury and form of conspicuous consumption. Their efforts coincided with an emerging middle class that was looking for ways to spend its money on symbols of upward mobility." In 1866, the famous entertainer and star of his day, George Leybourne began a career of making celebrity endorsements for Champagne. The Champagne maker Moët commissioned him to write and perform songs extolling the virtues of Champagne, especially as a reflection of taste, affluence, and the good life. He also agreed to drink nothing but Champagne in public. Leybourne was seen as highly sophisticated and his image and efforts did much to establish Champagne as an important element in enhancing social status. It was a marketing triumph the results of which endure to this day. In the 1800s Champagne was noticeably sweeter than modern Champagne is today with the Russians preferring Champagne as sweet as 300 grams per litre. The trend towards drier Champagne began when Perrier-Jouët decided not to sweeten his 1846 vintage prior to exporting it to London. The designation Brut Champagne, the modern Champagne, was created for the British in 1876. Background: The wines of Champagne always had a tendency to sparkle. The cold weather of autumn would mute the fermentation process and the warmer weather of spring would rejuvenate the yeasts, causing a second fermentation to develop. At the age 30, Dom Perignon (1638- 1715), a blind Benedictine monk and head cellarer at the Abbey of Haut–Villers, recognized that this prickly wine had potential for improvement. He experimented with compensatory blending of grapes from different locations. He got bottle-makers to make stronger bottles so as to withstand the pressure better. He introduced the use of proper corks instead of the previously used oil-soaked hemp or rag stoppers. The combined initiatives were successful. Today Champagne can be a blend from the products of as many as 40 different vineyards. The bottles are strong enough to withstand as internal pressure of 6 kg per cm2, equivalent to the tyre pressure of London Transport Bus. Corks, of the finest quality, are assiduous in their confinement of sparkle to a life sentence in the bottle. History Statue of Pope Urban II in Champagne The Carolingian reign saw periods or prosperity for the Champagne region beginning with Charlemagne's encouragement for the area to start planting vines and continuing with the coronation of his son Louis the Pious at Reims. The tradition of crowning kings at Reims contributed to the reputation of the wines that came from this area. The Counts of Champagne ruled the area as an independent county from 950 to 1316. In 1314, the last Count of Champagne assumed the throne as King Louis X of France and the region became part of the Crown territories. Military Conflicts: The location of Champagne played a large role in its historical prominence as it served as a "crossroads" of sort for both military and trade routes. This also made the area open to devastation and destruction during military conflicts that were frequently waged in the area. In 451 A.D. near Châlons-en-Champagne Attila and the Huns were defeated by an alliance of Roman legions, Franks and Visigoths. This defeat was a turning point in the Huns invasion of Europe During The Hundred Years War, the land was repeatedly ravaged and devastated by battles. The Abbey of Hautvillers, including its vineyards, was destroyed in 1560 during the War of Religion between the Huguenots and Catholics. This was followed by conflicts during the Thirty Year War and the Fronde Civil War where soldiers and mercenaries held the area in occupation. It wasn't till the 1660's during the reign of Louis XIV that the region saw enough peace to allow advances in sparkling wine production to take place. History of wine production: The region's reputation for wine production dates back to the Middle Ages when Pope Urban II, a native Champenois, declared that the wine of Aÿ in the Marne département was the best wine produced in the world. For a time Aÿ was used as a shorthand designation for wines from the entire Champagne region, similar to the use of Beaune for the wines of Burgundy.[6] The poet Henry d'Andeli's work La Bataille des Vins rated wines from the towns of Épernay, Hautvillers and Reims as some of the best in Europe. As the region's reputation grew, Popes and Royalty sought to own pieces of the land with Pope Leo X, Francis I of France, Charles V of Spain, and Henry VIII of England all owning vineyard land in the region. A batch of wine from Aÿ received in 1518 by Henry VIII's chancellor, Thomas Cardinal Wolsey, is the first recorded export of wine from the Champagne region to England. The still wines of the area were highly prized in Paris under the designation of vins de la rivière and vins de la montagne- wines of the river and wines of the mountain in reference to the wooded terrain and the river Marne which carried the wines down to the Seine and into Paris. The region was in competition with Burgundy for the Flemish wine trade and tried to capitalize on Reims' location along the the trade route from Beaune. In the 15th century, Pinot Noir became heavily planted in the area. The resulting red wine had difficulty comparing well to the richness and coloring of Burgundy wines, despite the addition of elderberries to deepen the color. This lead to a greater focus on white wines. The Champagne house of Gosset was founded as a still wine producer in 1584 and is the oldest Champagne house still in operation today. Ruinart was founded in 1729 and was soon followed by Taittinger (1734), Moët et Chandon (1743) and Veuve Clicquot (1772). Moët & Chandon is a well known Champagne house in the region The nineteenth century saw an explosive growth in champagne production going from a regional production of 300,000 bottles a year in 1800 to 20 million bottles in 1850. Rivalry with Burgundy: A strong influence on Champagne wine production was the centuries old rivalry between the region and Burgundy. From the key market of Paris to the palace of Louis XIV of France at Versailles, proponents of Champagne and Burgundy would spar to get the upper hand. For most of his life, Louis XIV would drink only Champagne wine with the support of his doctor Antoine d'Aquin who advocated the King drink champagne with every meal for the benefit of his health. As the King aged and his ailments increased, competing doctors would proposed alternative treatments with alternative wines, to sooth the King's ills. One of these doctors, Guy-Crescent Fagon conspired with the King's mistress to oust d'Aquin and have himself appointed as Royal Doctor. Fagon quickly attributed the King's continuing ailments to champagne and ordered that only Burgundy wine must be served at the royal table. This development had a ripple effect throughout both regions and in the Paris markets. Both Champagne and Burgundy were deeply concerned with the "healthiness" reputation of their wines, even to the extent of paying medical students to write theses touting the health benefit of their wines. These theses were then used as advertising pamphlets that were sent to merchants and customers. The Faculty of Medicine in Reims published several papers to refute Fagon's claim that Burgundy wine was healthier then champagne. In response, Burgundian winemakers hired physician Jean-Baptiste de Salins, dean of the medical school in Beaune, to speak to a packed auditorium at the Paris Faculty of Medicine. Salins spoke favorably of Burgundy wine's deep color and robust nature and compared it to the pale red color of Champagne and the "instability" of the wine to travel long distances and the flaws of the bubbles from when secondary fermentation would take place. The text of his speech was published in newspapers and pamphlets throughout France and had a damaging affect on champagne sales. The war of words would continue for another 130 years with endless commentary from doctors, poets, playwrights and authors all arguing for their favorite region and their polemics being reproduce in advertisements for Burgundy and Champagne. On a few occasion, the two regions were on the brink of civil war. A turning point occurred when several Champagne wine makers abandoned efforts to produce red wine in favor of focusing on harnessing the effervescent nature of sparkling champagne. As the bubbles became more popular, doctors throughout France and Europe commented on the health benefits of the sparkling bubbles which were said to cure malaria............... 





